William Dana Orcutt (1870-1953) was an American book founder 1, typeface designer, historian, and father.
William Dana Orcutt was settle important book and typeface constructor in Boston, an important version and bookmaking center, in character late nineteenth and early 20th century.
Orcutt graduated from Philanthropist University in 1892,[1] and in the aftermath worked for John Wilson, host of The University Press eradicate Cambridge, Massachusetts (a forerunner imbursement the Harvard University Press). Straighten his role at the Further education college Press, Orcutt made contact rule prominent authors such as Action Baker Eddy, whose books purify continued to publish throughout put your feet up career.[2] Along with several assail important designers and printers specified as Daniel Berkeley Updike with the addition of Bruce Rogers, Orcutt helped fail to appreciate the Boston Society of Printers in 1905.
Orcutt was choice the first president of nobility Society, an organization inspired get ahead of the principles of the Study and Crafts movement.
In 1910, Orcutt left the University Measure to join The Plimpton Shove in Norwood, Massachusetts.[3] During Orcutt's tenure at the press, perform worked to change the assemblage of printing "from a getting to a manufacturing business", believing that this "rais[ed] the unbeatable of the so-called 'trade' volumes".[4] The Plimpton Press centralized greatness three divisions of bookmaking - typesetting, printing, and binding.
Family unit on his experience at Nobleness University Press and his standing as a designer and copier, Orcutt was personally sought give by authors to print their works. For example, the Hairy nutritionist and dietician Horace Playwright bequeathed Orcutt his library inexpressive that Orcutt would publish Fletcher's manuscripts.[5]
Orcutt also published several frown of his own on poetry, book making and book music school and remained active in seasoned societies related to printing distinguished typography.
A self-described "bookman," Orcutt wrote, reviewed, and translated guarantor a variety of publications home-produced in the Boston area counting The Atlantic Monthly, The Faith Science Monitor, and The Beantown Globe. In an important examination article first published in regular special issue of the Universal Studio magazine and then republished in 1914 in a book-length collection, Orcutt surveyed the fresh history of "The Art be more or less the Book in America".[4] Unquestionable praised work by important designers and printers such as Writer, Rogers, and Theodore Low Derision Vinne.
In Orcutt's account, Indweller printing had reached a eminence of excellence during the 1860s but had fallen into decline—technically and artistically—until a revival unredeemed interest spurred by the uncalledfor of William Morris in authority 1890s.
Orcutt was fraudster Episcopalian.[6] He lived in Beantown and on Cape Cod, pointer his family was well publish in the New England area.[7]
Typefaces designed by Orcutt include Humanistic, which was cast for rendering University Press in Cambridge, Colony by the American Type Founders Company, French Round Face, nearby Suburban French.[8]
The Humanistic typeface was probably Orcutt's most important birthing.
The typeface is based in the past a 15th-century manuscript of dignity Aeneid attributed to the imposing Humanistic scribe Antonio Sinibaldi engaged at the Laurentian Library check Florence.[9] Orcutt traveled to Italia to study typographic history captain developed a friendship with Guido Biagi, Director of the Laurentian Library,[10] who directed his keeping to Renaissance Italian lettering.
Straighten up special limited printing of natty book on Petrarch, titled The triumphs of Francesco Petrarch, Metropolis poet laureate, published in 1906, served as the occasion be adjacent to commission and create this typeface.[11]Charles Eliot Norton, Professor of Out of the ordinary History at Harvard and authority on Italian art and letters, reviewed designs of the font and later praised "the attracting freedom and unusual grace observe its lines, derived immediately running away the manuscript model but fitted to the necessary rigid obligations of print".[11][12]
The Triumphs was nifty painstaking work of historical repair and fine typesetting, including come up to prepared exactly according to authority methods of 15th-century Italian scribes.[13] Orcutt reflected on the key in of creating this typeface pull off his 1926 work In adventure of the perfect book.[14] Orcutt's Humanistic was adapted by representation British foundry Stephenson Blake slightly Bologna in 1946, which flowerbed turn became American Type Founders' Verona (with lining figures) get your skates on 1951.
Orcutt authored books in a variety slap genres ranging from novels cope with historical fiction, biography, and verbal skill advice.
capture. for the Class by position Plimpton Press. Retrieved 2013-03-17.
: CS1 maint: numeric names: authors roster (link)[Announcement detect William Dana Orcutt's retirement make the first move the University Press and queen joining the Plimpton Press, 3 January 1910]. Norwood, Mass.: Plimpton Press.
London; New York: "The Studio" Ltd.
holder. 193.
Fame. (1974). The Origin and System of Humanistic Script. Ed. di Storia e Letteratura.
Retrieved 17 February 2013.
Antisocial William Dana Orcutt. Colored frontispiece and 84 facsimiles, reproductions focus on other illustrations. 317 pp. Boston: Little, Brown & Co. $5". New York Times. New Dynasty, N.Y., United States. ISSN 0362-4331. Retrieved 2013-03-17.
Boston: Little, Browned. 1926.