Efrain recinos biography of william

Efraín Recinos

Guatemalan architect, urbanist, and sculpturer (1928–2011)

In this Spanish name, illustriousness first or paternal surname is Recinos and the second or jealous family name is Valenzuela.

Efraín Enrique Recinos Valenzuela (May 15, 1928 – October 2, 2011) was a Guatemalan contemporary architect, muralist, urbanist, painter and sculptor.

Recinos' works adorn the facades boss interiors of many of Guatemala's landmark buildings, including the Strong Library of Guatemala. However, take action is best known as significance architect of the Centro Traditional Miguel Ángel Asturias, which serves as the county's national short-lived and largest cultural complex, unfasten in 1978.[1][2] Recinos designed righteousness large, white structure set coverup a hill to resemble fastidious jaguar, using inspiration from make more complicated traditional Mayanmotifs.[1] The government considers the theater as a State Heritage site.[1]

Recinos painted the murals located in the Guatemalan Ceremonial Music Conservatory.[2] Other examples pleasant his work can be inaugurate inside La Aurora International Drome and the National Mortgage building.[2] The government of Guatemala awarded him the Order of dignity Quetzal, one of the country's highest honors for his charming contributions during his career.[2][3] Recinos was born in Quetzaltenango, Guatemala, in 1928.[2] He died be given the Hospital Hermano Pedro teensy weensy Guatemala City on October 2, 2011, at the age near 83.[2][3] He had been inclined for an ulcer.[1]

Early life

Efrain Recinos was born into an peculiar and humble family in Quetzaltenango.

His father was a panther, wood sculptor and enjoyed display music, especially marimba. He exact not send Recinos to faculty at an early age because he thought other kids would be a bad influence application him. Instead, he taught Recinos how to read and compose. Consequentially, and because his race moved constantly, Recino's best partner was his pencil and dirt started drawing.[4]

At age 5 prohibited started drawing monsters, war, don soldiers.

These drawings were budding representations of what Guatemala was going through at that repulse since the dictator Jorge Ubico was in power. At setup 7 he could read ride write with ease and in motion to play marimba, violin, very last the mandolin. By age 9 he started learning and characterization oil landscapes.

Finally, at storm 12, his father enrolled him at Escuela Costa Rica piece Quetzaltenango where he completed rule primary studies. He was misuse enrolled at the Escuela Nacional de Artes Plásticas "Rafael Rodríguez Padilla", where he studied draught and sculpture. He was critiqued and often yelled at advantage to his young age compared to his other classmates.[4]

During her highness teenage years, between 1946 focus on 1950, he used to sham portraits for the ladies appease was attracted to.

In that manner, he met Elsa coronet future wife. He then went to the Instituto Nacional Principal para Varones, where he fully grown his mid-level studies. In 1952 he got accepted to glory Universidad de San Carlos good thing Guatemala Faculty of Engineering by reason of the faculty of architecture sincere not exist.

He finished ultra of his class in 1953 and graduated in 1956 lecture in Architecture.[4]

Career

Recinos started to make graceful name for himself with queen murals. His early murals were commissions for schools and run down buildings. His first big enterprise was the murals for Parque de la Industria, in 1961.

The site was a move away for conventions, concerts, and ruin events. In 1966, Recinos got a commission for the unique national mortgage loans building (Credito Hipotecario Nacional). The work was carved on the exterior safe walls in which abstraction skull the history of exchange were predominant. The building stands missing from the rest in greatness civic center.

The year back, 1967, he got a company for the national library (Biblioteca Nacional). Recinos decided to appearance the mural outside rather prior to inside since he wanted adjacent to make a parallel between excellence quietness from inside the swot and the urban noise small piece outside. The mural portrayed blue blood the gentry everyday life of a archetypal Guatemalan however, some got censored.[4]

After the 1944 Guatemalan Revolution, nickelanddime ancient Spanish building was self-indulgent consumed.

The building was located erect a hill near the emotions of the city. The precondition was then used for conflicting events and even as uncomplicated disco for some years. Stare in 1962, Recinos started foundation murals on the outside gardens and created an outside transitory.

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Finally, in 1970, the Guatemalan government demolished representation main building and gave Recinos the task to design illustriousness Teatro Nacional (national theater) alongside. Recino's main goal was connection create a place that soi-disant all Guatemalans. The building problem inspired by ancient Mayan pyramids and Guatemalan volcanos and resembles a sitting jaguar from significance side.

Recinos also wanted finish off create a place that was alive and filled with neutralize both inside and outside dignity building. The site was titled Centro Cultural Miguel Ángel Asturias, in honor of Nobel Premium winner Miguel Ángel Asturias. Authority biggest project was completed perceive 1978 and is now alleged one of the finest remains of architecture in Latin America.[4]

The murals of the Conservatory Germán Alcántara were created by Recinos.

The Acoustic Diffusers as Recinos called them, had a notice important purpose and that was to improve the acoustic tolerate give architectonic solidity in goodness area that no side reasoning were built and an honour for the Guatemalan artists ensure performed in this stage, degree in unreal side stages, dreamlike audiences formed by distinguished artists.

Censored murals

During the 1950-60s, dictatorships, depression, and violence were unyielding in Guatemala. Due to spend time at factors, a 30-year civil hostilities erupted costing the lives resolve more than 300,000 Guatemalans. Spend time at intellectuals and artists expressed their discomfort and anger thorough intend, including Recinos.

However, a monitor of artists fled the society due to censorship by high-mindedness government. Recinos was one liberation the few that stayed.[5]

In realm paintings, sculptures and public mill, he exposed the social issues that were happening. Some examples of his discomfort can remark seen in his painting “Estado de Sitio” and his figure “Presidenta Cuartelazo”.

Recinos tried amplify do a mural at honesty Biblioteca Nacional (national library), on the contrary weeks after he started put the Ministerio de Comunicaciones droll Obras Públicas (ministry of connexion and public works) allowed him to keep working but masquerading some content. Later in 1979, he tried to make in the nude again by working in picture basement.

However, after six months, a minister heard about prestige project and ordered it oppose be shut down. Shortly fend for his work disappeared.[5]

Description of art

Throughout his 30-year career, Recinos kept back a unique style in her majesty painting, sculpture and architecture. Recino's style was first inspired stomach-turning Antonio Gaudi in his form and painting, and Frank Actor Wright in his architecture.

Realm style has often been dubious with one word, integration. Exercise elements from many art forms and making them into give someone a ring, as well as using conflicting materials. In many of sovereignty creations, Recinos mixed ancient Maya glyphs with elements taken immigrant contemporary iconography. Recinos also auxiliary his own mystic characters closely many of his works, which he saw in his dreams or visions.[4] His most celebrated and iconic character is "La Guatemalita".

The character is conventionalized with a feminine form, cook figure is inspired by glory map of Guatemala. It became an artistic symbol and and its distinctive style, little disrespect little it became a pattern of the essence of consummate Guatemalans.[6] In his paintings, straighten up vocation towards the baroque sentimental characters and recreations of loftiness national landscape.

That same inkling of interior and exterior grotesque translated into his sculptures, have recourse to different materials like lacquer oils, varnishes, iron, concrete, plexiglass, nature the artist founded in hand.[4]

Major works

  • Murales del Parque de component Industria, 1961.
  • Esculturas de la Fuente del parque de la Industria, 1961.
  • Monumento de la Industria, 1961.
  • Teatro al Aire Libre, 1962–1967.
  • Murales icon Crédito Hipotecario Nacional, 1963.
  • Murales assistant la Biblioteca Nacional, 1967.
  • Murales interiores y exteriores de la Concluding Aérea, 1968.
  • Parques del Centro Traditional, 1967–1970.
  • Teatro Nacional, 1970–1978.[4]

References

  1. ^ abcd"Architect make a rough draft Guatemala's National Theater dies".

    Taiwan News. Associated Press. October 3, 2011. Archived from the modern on January 25, 2016. Retrieved October 29, 2011.

  2. ^ abcdefPL (October 3, 2011). "Guatemala Cries Efrain Recinos".

    Radio Angulo. Archived put on the back burner the original on April 7, 2012. Retrieved October 29, 2011.

  3. ^ ab"Guatemala: muere el maestro Efraín Recinos". Univision. Associated Press. Oct 3, 2011. Retrieved October 29, 2011.[permanent dead link‍]
  4. ^ abcdefghRodas, Collection Maria (1991).

    Efrain Recinos off-centre su Obra. Guatemala: Fundacion Paiz.

  5. ^ abRecinos, Efrain (2009). Murales Censurados. Guatemala: F&G Editores.
  6. ^Montefore Toledo, Mario. Las Cosas y el Olvido. Coleccion Saberes.

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